- In front of the Gallery dressd by Sissi
- 1st Floor
- Gavin Brown studying the menu
- THOMAS BULLOCK offering Mezcal
- Paul Simonon from The Clash starts a painting
- and Peter Doig is finishing it
- Maurizio Cattelan talking with our students
- JIM KREWSON
- 1st Floor with Giuseppe Abate
- 1st Floor
- Booth of the venetian Artsit Collective fondazione Malutta
- Our students in front of the Gallery
- The curating Collective with Gavin Brown
- Stairs with RPFM-Flyers
- The curators at work
- The curating collective raising the flag
An event curated by Tommaso Speretta and The School for Curatorial Studies Venice directed by Aurora Fonda and Sandro Pignotti.
Venice, March 4th, 2015 From MAY 5TH TO MAY 8TH, 2015, during the press preview days of the VENICE ART BIENNALE, American artist Rob Pruitt (1964) will bring his renowned project “ROB PRUITT’S FLEA MARKET” to Venice for the first time. It will take place at A plus A Gallery, and is organized in cooperation with the students of the “22nd Course in Curatorial Practices and Contemporary Arts” at The School for Curatorial Studies Venice.
Rob Pruitt invites the INTERNATIONAL ART COMMUNITY, as well as LOCAL ART COMMUNITY, to engage in the lively space of the FLEA MARKET – a convention that channels the timeless vitality of the open-air market, a place where ART AND COMMERCE MIX AND MINGLE.
“Rob Pruitt’s Flea Market” is an UNUSUAL BAZAR DES ARTISTES, and an invitational not unlike the Biennale itself. As the aesthetic quality of a “Rob Pruitt’s Flea Market” depends on the participation of buyers and sellers alike, EACH DAY HOLDS ITS OWN SURPRISES, unfolding with the primary aim of keeping the creativity totally free of constraints and the audience actively involved.
The range of offerings is broad: ARTISTS SELL THEIR WORK (some create new work on site), present live PERFORMANCES, hold BOOK SIGNINGS, sell their VINTAGE CLOTHES, BOOKS, TRINKETS, or even make FOOD AND DRINK. Visitors can peruse freely and have the chance to come into direct contact with the artists. Pruitt’s project blurs the line between art and the quotidian while offering insight into the way the art market works by recreating it with a shifted context.
The engaging nature of the project, which privileges an egalitarian aesthetic, is characteristic of Pruitt’s work, continually oscillating between being critical of and being seduced by the production and consumption of our present world. Through a plurality of languages and media ranging from painting to sculpture to installation, Pruitt’s work, while voluntarily open to interpretation, comments on the ALLURE AND EXCESS OF THE ART WORLD and of consumer culture, often through the use of personal and intimate aspects of the artist’s life and experience.
As Venice has for many centuries been a crucial crossroads of cultural and trade exchange, making it the ideal location for such an event, this particular incarnation of “Rob Pruitt’s Flea Market” is poised to exploit the art world and its personalities who will be descending upon Venice, functioning parallel to the Biennale as an ALTERNATIVE (ALBEIT MORE “LO-FI”) EXPERIENCE. During the preview days of the Art Biennale, a wide audience of “art insiders” – artists, curators, critics, journalists – converges with the local community and the complex dynamics of such a unique city, resulting in an EXCITING SOCIAL SITUATION.
Traditionally, the commercial aspect of art is swept aside or kept from view (the same is often true for the presence/visibility of the artist figure), but the new context provided by the PERFORMATIVE STRUCTURE of the flea market breaks down such traditional barriers that separate the artist, the work, and the audience. This becomes a reflection upon the DYNAMICS OF INCLUSION AND EXCLUSION IN THE ART WORLD, upon its economical rules, the social value assigned to objects, and the relationship of AUTHENTICITY AND PROPERTY TO THE WORK OF ART.
Artists and visitors become involved in an exchange that may resemble the bartering and haggling of open-air markets of the past, simultaneously reflecting the negotiation process between dealer and collector at one of today’s mega art fairs. Ultimately, according to Pruitt, at the end of the day it’s a gesture of inclusion – one that attempts to dismantle pretension and make all people feel more comfortable about bringing art into their lives.
The students attending the 22nd edition of the “Course in Curatorial Practices ans Contemporary Arts” are: Inessa Baldin, Leonardo Baracchi, Milena Becci, Giulia Belardi, Alice Bontempi, Elena Cardin, Eleonora Coccia, Melania Coretto, Luisa De Palo, Maddalena Di Caprio, Marta Fassina, Giulia Favaron, Valerio Fumarola, Ileana Mantovani, Elisa Marigo, Giovanna Maroccolo, Giada Marson, Ilaria Medda, Marco Miglioranza, Anna Miotto, Isabella Nuovo, Jonathan Paiano, Giacomo Pecchia, Antonella Potente, Sara Rizzardi, Enrica Sbrogiò, Valentina Tebala and Anna Volpe.
ROB PRUITT’S FLEA MARKET was presented for the first time at the Gavin Brown’s Enterprise gallery in New York in 1999, bringing together artists such as Elizabeth Peyton, Rachel Harrison, Haim Steinbach, and Meredith Monk. At the 2007 Frieze Art Fair, Pruitt took over the Gavin Brown’s Enterprise booth and invited as many artist as would fit. Participants included Sam Taylor-Johnson, Andrea Zittel, Rita Ackerman, Rikrit Tiravanija, and Jeremy Deller. A Christmas incarnation of the Flea Market was held in December 2009 at the Tate Modern in London, the “Rob Pruitt’s Christmas Flea Market”. Pruitt’s Flea Market took place again in 2012 at the Musée de la Monnaie in Paris, during the “Nuit des Musées”, with the participation of 80 artists, most of them French, following Pruitt’s desire to include artists and personalities connected with the place in which the Flea Market is held.
ROB PRUITT was born in Washington in 1964, and currently lives and works in New York. He has a varied practice that includes the ecopolitics and the eminent demise of the Panda bear, American youth, and global consumer culture. His interest in deconstructing the complexities of contemporary art in order to make it accessible to the mainstream is evident in projects such as “101 Art Ideas You Can Do Yourself.” More recently, he has addressed issues of personal and societal mental health, specificallydepression, with a series of color study paintings known as the “Suicide Paintings.” He has simultaneously maintained a practice of performative works such as “Rob Pruitt’s Art Awards at the Guggenheim Museum”, nude artist book signings, and numerous incarnations of “Rob Pruitt’s Flea Market” around the world, including an internet version on eBay www.robpruittsfleamarket.com Rob Pruitt is represented by Gavin Brown’s Enterprise in New York.
Special thanks to
Gavin Brown Enterprise